THE CINEMATIC GENIUS OF GERARD FRANCIS THURSTON


Gerard Francis Thurston is a cinematic genius waaay ahead of his time. Nobody has ever realized his true potential. His first movie, "Sectourette", was about a secretary afflicted with Tourette's Syndrome. The follow-up, "The Brain That Ate Me", wasn't such a box-office smash, but then "Priestourette" was a great hit, probably due to the same formula that Thurston followed in "Sectourette"... (the "Sermon on the Mount" scene is a classic of modern cinema.) Then came "Nobody Knows That Dog", which featured Thurston's first wife in a role as a prostitute who liked to tape her sexual experiences on TDK tape and play them back for the priest in "Priestourette".

Thurston's major appeal was his utter lack of any restraint or joy in most of his pieces. He prided himself on being so deep he was even more depressed than Morrissey. (and that ain't an easy task.) Somebody is licking my ear so I must pause for a few seconds to enjoy it.

I think I almost came during that. Back to Thurston. He had been so proud to be so depressing, well, that it wasn't too long before they discovered that, under the pseudonym "Slappy Gooboo" had directed the entire slate of the "Happy King" movies...

After Thurston was faced with these accusations, he did what any normal human being would do: He emphatically denied all connections between himself and Slappy Gooboo. But, later he apologized for lying and announced plans for his next movie: The Happy King Gets Cancer.

Thurston is now in post-production on his latest film, The Happy King Returns from Hell.


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